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Shadows of the Evening by Noel Coward

Performed at The Theatre in the Hut, Weston-super-Mare : Spring 1982

CAST     

Linda Savignac           LESLEY BLACKWELL

Felix                            KEITH PITT

Anne Hilgay                BRENDA WHITE

George Hilgay            KENNETH EVANS

Come into the Garden Maud by Noel Coward

Performed at The Theatre in the Hut, Weston-super-Mare : Spring 1982

CAST     

Anne-Mary Conklin     GILL CREE

Felix                            KEITH PITT

Verner Conklin            JOHN MARKSON-BROWN

Maud Caragnani         TERESINHA GEDGE

                                       (formerly MORTON-HICKS)

PRODUCTION  for  Both  Plays   

Director                           LESLEY BLACKWELL

Stage Manager               BARBARA SHAKESPEARE

Asst. Stage Manager      DEREK ROBINSON

Properties                       CYNTHIA EVANS

Wardrobe                        EILEEN HATCH and BEVERLEY HOPE

Prompt                            MARY HUGHES

Scenery and Lighting      JOHN BUTLER

Pardon Me Prime Minister by Edward Taylor and John Graham

1982 03

Performed at Weston-super-Mare Playhouse : December 8th - 11th 1982 including Saturday matinee

CAST     

The Rt. Hon. George Venables M.P.   

                                          GERALD WHITE

Rodney Campbell             MICHAEL BILSON

The Rt. Hon. Hector Crammond M.P.   

                                          TREVOR ANGUISH

Miss Frobisher                  SARAH BABER

Sybil Venables                  LESLEY BLACKWELL

Shirley Springer                JILL DANDO

Jane Rotherbrook             FIONA SMITH

Dora Springer                   MARGARET HORLER

Detective                           STEVE PARKINSON

                  For the Saturday matinee,

                   the role of Sybil Venables

               was played by SANDRA ROSS

PRODUCTION    

Director                       MARY HUGHES

Stage Manager           BARBARA SHAKESPEARE

Asst. Stage Manager  STEVE PARKINSON

Wardrobe                    NAN HESS and PAMELA LINHAM

Properties                   MARY AMESBURY and SHIRLEY McMAHON   

Prompt                        JOY WILKINSON

Continuity                    JUDYTHE SMITH

Lighting                       TONY BLIZZARD

Front of House

    Photography           GARTH D. SMITH

Scenery                      JOHN BUTLER

Publicity                      BARBARA SHAKESPEARE

Furniture                     BRISTOL OLD VIC

REVIEW - Weston Mercury, Somerset & Avon Herald Friday December 10th 1982

Pardon Me, Prime Minister, being staged at the Playhouse by Weston Dramatic Society, has all the ingredients for a successful modern farce. Amusing, contrasting characters. Scantily-clad young ladies. "Mislaid" clothing. Embarrassing misunderstandings. Problems that threaten potential scandal unless averted by subtle footwork. Non-stop action. Plenty of funny throw-away lines.

On the opening night, though, the recipe did not work properly and the "cake" emerged from the oven as rather bland fare. Even the best of throw-away lines are useless if delivered so flatly that those on the receiving end don't "catch" them.

Things got off to a slow start and, while the pace did pick up, the production was not the rip-roaring comic success it could and should have been.

Yet the first night was not without humour - and the potential for a big success was definitely there if some aspects, such as timing, delivery and movement, could be tightened up.

Gerald White was flawless as the Prime Minister fighting an initially losing battle to control both his less than snow white past and his rampant Chancellor. He held the farce together with his assured acting and sense of the comic occasion.

Michael Bilson - the PM's loyal parliamentary private secretary - made more of an impact as each minute of the farce passed. His use of facial expressions was most effective and he brought a touch of subtle, cleverly understated humour to the show.

Trevor Anguish, as the puritanical Chancellor, seemed too tentative at times but did develop his Cromwellian role as the evening continued and he warmed to the part.

Fiona Smith (reporter Jane Rotherbrook) and Jill Dando (Shirley Springer, dancer in search of long-lost Daddy) were creditably unselfconscious about the undress demands of their roles. Jill, in particular, made a strong, clear contribution to the production.

Sarah Baber, as Miss Frobisher, coped well with her transition from stern statistician to passionate, if short-sighted PPS devotee - shedding spetacles and suit in the process!

Margaret Horler as Dora - attractive Nemesis from the past - and Lesley Blackwell, as the PM's charmingly "ordinary" wife, were confident and competent in their roles.

The farce - written by Edward Taylor and John Graham, directed by Mary Hughes - was on the whole well staged. No farce can succeed, though, if it cannot feed off an audience's laughter and create an atmosphere from their enjoyment. The first-night audience was too small to allow this to happen and, as a result, the farce failed to fizz.

With a bigger audience, and with opening nerves banished, Pardon Me, Prime Minister could certainly be a very funny, entertaining production. The show continues tonight and tomorrow.                                                                                 J.R.W.

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